LA 166 Lecture Outline 3-28-07

 

Early American Landscape

 

(Reference text reading assignment)

 

19th Century American Landscape Design Vocabulary (parks and private estates) inspired by English parks and gardens

 

North America—fertile ground for British based botanical exploration

 

A.J. Downing (1815-1852) Author, self taught botanist and student of the picturesque

 

Books and magazines affect a change in landscape gardening in America during the mid-19th century

 

1st major work: A Treatise on the Theory and Practice of Landscape Gardening

Gains reputation as a horticultural authority and tastemaker

 

1846 Editor of Horticulturist Magazine

            Advice on:

            rural architecture

            transplanting trees

            enriching soils

            growing orchards

            making wine

            Also—promotes the planting of shade trees in villages, towns, cities

 

            Idea of a park in NYC introduced as a place for public refinement

 

Other books/magazines/journals:

 

Cottage Residences (1842)

The Fruits and Fruit trees of America (1845)

The Architecture of Country Houses (1850)

 

Goals / perspectives:

 

Educate Americans on good taste, a champion of the middle class

 

Faith in education to raise status / encourage appreciation of beauty

 

Architectural and Landscaping recommendations---increase personal joy and comfort.  (Martha Stewart of the 19th century)

 

Travels to England—partnership with English architect Calvert Vaux (1850’s)

 


 

Frederick Law Olmstead (1822-1903)

 

 

Landscape design philosophy

 

Defined role for landscape architects

 

Social vision / values

 

Administrative skills

 

Life as a Farmer

 

The Walks and Talks of an American Farmer in England

 

Philosophy of the profession

 

Superintendent of NY’s Central park

 

A design competition for the design of Central park in 1858

            Calvert Vaux.

 

 

Designing schools, villages, and estates

 

Promoting community, domesticity, and taste

 

 

The root of his work

            Scenery

 

Olmstead’s 3 aspects of nature

 

                 mystery caused by deep shadows, and the play of light and shadow

 

                 richness of foliage and the lushness of growth

 

                 peacefulness as evoked by gently rolling meadows with scattered shade trees or small bodies of water that reflected trees and sky.

 

The natural character of the site.

 

The difference between gardening and landscape architecture

 

Imaginative and original work

                  original in the sense that his work was reasoned

                  (whereas most work in the same field at the time merely followed a pattern

                  of whatever happened to be the usual, fashionable, or proper thing)